PreSonus Quantum ES 4 handleiding

97 pagina's
PDF beschikbaar

Handleiding

Je bekijkt pagina 25 van 97
21
6 Mix Controls
6.4 Mix Detail
Universal Control for StudioLive
®
Mixers
Software Reference Manual
3. Stereo Link. Creates a stereo bus with the adjacent FlexMix. Like channels, mixes can only be linked in
odd/even pairs.
4. Aux Send Position. By default, all aux buses are set to Pre 1. This places the send of every input channel
to each aux bus before the fader, limiter, EQ, and compressor, but after the Polarity switch, high-pass
filter, and gate.
The four internal effects buses are set to Pre 2 by default, which routes each of the input channels after
all Fat Channel dynamics and EQ but prefader.
From this menu, you can choose between three send positions for each Aux and FX mix:
Pre 1: Sends each channel to the aux bus after the polarity invert, high-pass filter, and gate.
Pre 2: Sends each channel to the aux bus after all Fat Channel processing (polarity invert, high-pass
filter, gate, compressor, EQ, and limiter) but before the fader.
Post: Sends each channel to the aux bus after all Fat Channel processing (polarity invert, high-pass
filter, gate, compressor, EQ, and limiter) and after the fader.
Power User Tip: Use the Pre 2 position for headphone and in-ear mixes to give your performers a
polished “studio” sound. This setting should be avoided for floor wedges, as compression can cause
feedback problems.
5. Bus Type (Series III and RM-series mixers only). StudioLive Series III and AI-series RM/RML mixers’
feature FlexMixes that can be configured as aux mixes, subgroups, or matrix mixes (Series III only).
Use these buttons to select the bus type. See Section 6.4.2 for information on routing channels to
FlexMix subgroups.
6. Output Delay (StudioLive Series III only). Sets the alignment delay for the current FlexMix. For more
information on using output delays, please review the StudioLive Series III Owners Manual.
7. High-Pass Filter. Sets the High-Pass Filter Frequency Threshold for the Selected Channel or Output Bus.
The filter’s threshold can be set from 24 Hz to 1 kHz. When the meter is set to its lowest point, the filter is
off. The high-pass filter is available on all input channels and on auxiliary and FX output buses only.
Power User Tip: A high-pass filter attenuates all frequencies below the set threshold. Use the Fat
Channel high-pass filter to remove unwanted low frequencies from your source signal, rather than trying
to EQ them out
6.4.2 Subgroup Mix Detail
When a FlexMix is selected and configured as a Subgroup, the following controls will be available at the far
left of the Fat Channel:
2
1
7
8
5
4
6
3
1. Mix Settings. Opens Mix Settings view.
2. Mix Name. Click or tap on the default name to open a text field to customize the mix name.
3. Stereo Link. Click or tap to create a stereo subgroup with the adjacent FlexMix.
4. Subgroup Edit. Click or tap to add or remove channels from the subgroup.
5. Bus Type (Series III and RM-series mixers only). StudioLive Series III and AI-series RM/RML mixers’
feature FlexMixes that can be configured as aux mixes, subgroups, or matrix mixes (Series III only). Use
these buttons to select the bus type.
6. Output Delay (StudioLive Series III only). Sets the alignment delay for the current FlexMix. For more
information on using output delays, please review the StudioLive Series III Owners Manual.
7. Route to Main. Click or tap to route the subgroup to the Main bus. StudioLive 64S users will also find a
Mono assign for the Mono/Center bus.

Bekijk gratis de handleiding van PreSonus Quantum ES 4, stel vragen en lees de antwoorden op veelvoorkomende problemen, of gebruik onze assistent om sneller informatie in de handleiding te vinden of uitleg te krijgen over specifieke functies.

Productinformatie

MerkPreSonus
ModelQuantum ES 4
CategorieNiet gecategoriseerd
TaalNederlands
Grootte17151 MB