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8

DRAWMER 1971 OPERATOR’S MANUAL

CONTROL DESCRIPTION

CHAPTER 2

INPUT

INPUT GAIN: -15dB - +15dB

Typically, the Input Gain control is used to match the output of the preceding device to the

input needs of the four e.q. bands that the signal will pass through. Use the VU meter above

as a guide.

If the input is too low the signal of every e.q. band will need to be boosted just to reach the

optimum output level. If the input is too high every band will have less headroom to boost the

signal before clipping occurs.

LOW CUT

FREQUENCY: 10Hz - 240Hz

This continually variable control attenuates the signal below the frequency set. Use it to

remove extraneous content at the lower end of the audio range such as mechanical rumble

or to tighten the mix.

IN: OFF - ON

This Bypass switch, when pushed in will illuminate the LED, indicating that the Low Cut

Filter is in circuit.

LOW

FREQUENCY: 35Hz - 700Hz

This continually variable control sets the centre frequency where the

signal is boost/cut. As it’s completely variable it allows you to sweep the

signal to pin point problematic frequencies providing greater exibility

and accuracy than lesser equalisers.

SLOPE: 6dB / 9dB / 12dB / PEAK

Sets by how much or ‘fast’ the signal is attenuated in dB’s per octave at the Low frequencies. For example,

a 6dB per octave Low slope located at 100Hz would accomplish 6dB of attenuation at 50Hz, and 12dB

at 25Hz and so on until the signal is fully attenuated. 6dB per octave is more gentle and therefore more

musical than 12dB, however, at 12dB per octave the signal is ‘focused’ but attenuation more noticeable.

The Peak setting adds a narrow bell shaped boost to the 12dB per octave low band lter at the knee

frequency just before it rolls o󰀨. Especially useful on kick drums, it magnies and gives extra weight to the

hit whilst still ltering out any subsonic junk.

CUT/BOOST: -12dB - +12dB

The amount of gain (boost) or reduction (cut) that is applied at the frequencies set within the band. The control

is non-linear and so is capable of subtle adjustments for mastering or larger variations for tone shaping.

CRUSH: OFF - ON

Available on each band, it adds a xed time constant compressor, with auto gain makeup, provides a wider

rounder bandwidth, along with some musically pleasing harmonics. The e󰀨ect is progressive, so as more

boost is added to the band the CRUSH e󰀨ect is more apparent. It will thicken the audio and add Fatness,

Presence or Shimmer depending on the frequency band that it’s used in.

IN: OFF - ON

This Bypass switch, when pushed in will illuminate the LED, indicating that the Low Band EQ is in circuit.

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