Chandler RS660 Compressor handleiding

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9RS660-101022

Link

The RS660 Compressor may be used in stereo conguration

by means of the LINK facility, when coupled to another unit.

For stereo operation, two RS660 Compressors must be con-

nected using a standard ¼” cable by means of the ¼” LINK

connectors at the rear of the units.

When proper connection has been made, linking may be ac-

tivated when both RS660’s LINK switches have been set to

the forward position or towards [LINK]. If either or both

units LINK switches are positioned downward, the stereo

link will have been broken or bypassed.

Under linked conditions, each compressor’s control set will

be managed independently.

The linked units are controlled by whichever of the two con-

trol voltages is instantaneously the greater.

Note: When linked, both units should be set for the same

compressor mode; reference the Compressor Modes sec-

tion of this manual for more information.

Note: The LINK connector is wired: Tip – CV, Sleeve – 0v.

Note: When using the RS660 independently of a second unit

or in mono, be sure to position the LINK switch downward,

as to not cause undesired inuence of one another.

Compressor Modes

The RS660 Compressor features three operational modes—

THD, LIMIT and COMP, and are accessible by means of a

three-position selector switch.

THD

THD (Total Harmonic Distortion) mode is inuenced by the

THD circuits deployed on the Chandler Limited TG1 and

TG12413 Zener Limiters.

When the compressor mode selector switch is set for THD,

the RS660 is able to produce overdrive and distortions, in-

cluding heavy to light harmonic distortion, for signal color-

ation sans compression or limiting.

Limit

LIMIT is the limiter mode of the RS660.

LIMIT mode is purposedly fast, colored and lively, and adds

excitement to any source. LIMIT is ush with vintage tones

and is comparatively more colored than COMP.

Comp

COMP is the compression mode of the RS660.

Functionally, COMP mode simultaneously changes several

characteristics of gain reduction including— threshold, knee

or curve, and gain structure.

In COMP mode, the threshold is higher and compression on-

set is lower, while the knee has a more smooth and less ag-

gressive onset. The gain structure is also lower, thus pushing

the compressor less. The result is a more controlled sound,

while maintaining a vintage tone that is less aggressive.

-4

-3

-2

-I

0

-6

-7

-8

-9

-5

-I0

OUTPUT

THD

COMP

LIMIT

LINK

-4

-3

-2

-I

0

-6

-5

-I0

TIME CONSTANT

OUTPUT

4

3

2

I

6

7

5

THD

COMP

LIMIT

LINK

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