Antelope Discrete 4 Pro Synergy Core handleiding

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Handleiding

Discrete 4 Pro Synergy Core User Manual

Page 50

EMU MIC - This row represents mic preamp inputs 1 - 8 with mic emulations

applied to incoming microphone audio. This offers some interesting possibilities,

such as:

● Simultaneous monitoring and recording of dry microphone audio from the

‘PREAMP’ row and mic emulation audio from the ‘EMU MIC’ row on separate

audio tracks in your DAW – with and without Synergy Core FX added on top.

● Setting up multiple monitoring mixes, e.g. ‘dry’ mix for the recording engineer

and ‘mic emulation’ mix for the performing artist, with different FX chains on all

mix channels.

COMP PLAY - This row represents DAW 'Outputs 1 - 32' (Thunderbolt™) or DAW

'Outputs 1 - 24' (USB). This is where you receive audio from your DAW. Create a

new track in your DAW and assign the output with matching number - e.g. DAW

'Output 1' = 'COMP PLAY' 1. This row also represents all computer audio, such as

OS media playback (iTunes, Spotify, YouTube, Zoom, etc.), DAW outputs, etc.

ADAT IN - This row represents up to 8 ADAT optical audio channels. Note

that ADAT runs on S/MUX.

S/PDIF IN - This row represents 2 channels of incoming stereo S/PDIF audio

over coaxial RCA cable.

AFX OUT - The AFX OUT row (‘AFX’ short for 'Antelope FX') represents the

output from 16 mono audio channels with Synergy Core FX applied.

MIXER 1-4 OUT - These rows represent the four 2-channel stereo outputs from

the four virtual 32 channel mixers in the ‘Mixer’ tab. Channel 1 is left and Channel

2 is right.

TO:

LINE OUT - This row represents 4 line outputs over one signal-balanced TRS jacks.

HP1 - This row represents Headphone output 1 as two mono (L/R) channels.

HP2 - This row represents Headphone output 2 as two mono (L/R) channels.

HP3 - This row represents Headphone output 3 as two mono (L/R) channels.

HP4 - This row represents Headphone output 4 as two mono (L/R) channels.

MONITOR - This row represents Monitor output as two mono (L/R) channels.

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