Nord Modular G2 handleiding

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14. Synthesis basics: The Amplifier NORD MODULAR G2 V1.4x
Page 274
R
ESONANCE
Resonance in a filter is created by connecting the output of the filter to its input, in other words setting
up a “feedback loop”. The amount of feedback is then controlled with a Resonance parameter on the
front panel of the instrument.
When you apply resonance, the frequencies just around the cutoff point of the filter will be emphasized
(louder). As you increase the Resonance further and further, the filter will start to behave more an more
like a bandpass filter, where only the frequencies around the cutoff point are let through. The filter will
start to “ring”, which means it almost sounds like it is adding frequencies to the sound. If the Resonance
is then raised even further (on some synthesizers) the filter will start to self-oscillate, that is produce
sound of its own, just like an oscillator.
High Resonance values are also visible in the waveform. They appear as a “superimposed” waveform
with a frequency equivalent to the filter’s cutoff frequency. The three examples above show the same
wave with increased resonance.
If you add Resonance to a sound and then vary the Cutoff frequency (for example with an envelope) you
will get a very typical synthesizer sound.
THE AMPLIFIER
An amplifier is most often used at the final stage of a synth signal chain, to control volume. By
modulating the amplifier with an envelope, the sound can be given its basic “shape”. In fact, the “volume

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Productinformatie

MerkNord
ModelModular G2
CategorieNiet gecategoriseerd
TaalNederlands
Grootte60689 MB