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Damping - This parameter reduces the high frequencies in the Left and Right delays. When set to zero, the delays have the full

amount of high frequency detail. The Dampening parameter has a different response per Delay Type. For the Digital delay type, the

Damping control allows you to darken your repeats. For the BBD delay type, the Damping control alters the filter structure around

the bucket brigade clock, with no clock noise preset when color is set to 100%. For the Tape delay type, the Damping control

changes the filter structure and ages the tape to allow for darker timbres.

Dry Blend

This parameter controls the amount of dry signal added to the output of the predelay. Dry Blend defaults to 0%, which recreates

how a typical predealy works. Dry Blend works especially well with long predelay times and lets some of your dry signal hit the

reverb tank before the initial predelay reflection.

MIDI Clock

This parameter lets you ignore the incoming MIDI Beat Clock on a per preset basis. For most situations, you can just use the

Global to either accept or ignore incoming MIDI Beat Clock, but if you need more control, then use this parameter. This parameter

has three settings: “USE GLOBAL”, “FORCE LISTEN’, and ‘FORCE IGNORE’. ‘USE GLOBAL’ sets the preset to follow whatever the

Global MIDI Clock parameter is set to, all of the factory presets in LVX default to this setting. ‘FORCE LISTEN’ lets you set this

preset to always listen to MIDI Beat Clock and ‘FORCE IGNORE’ lets you set the preset to always ignore MIDI Beat Clock.

Here is a deep dive into the 8 different reverb structures in MercuryX. Each Reverb Structure has Gate controls that can be used

to dial in a range of gated reverb effects including the classic percussive gate sound, reverse tail reverb sounds, and slow breathing

textures. Similar to the Dry Blend control of the Predelay, each Reverb Structure features a Predelay Blend control that allows you

to put some or all of the predelay reflections in parallel with the reverb tank.

Ultraplate - Adapted from Mercury7, Ultraplate is an inspiring and lush plate with a fast build. Use the Ultraplate’s flexible decay

range to create a wide range of studio textures.

Parameters: Decay, Lo Freq, Hi Freq, Mod Speed, Mod Depth, Pitch, Pitch Mix, Diffusion, Predelay Blend, Gate Attack, Gate Hold,

Gate Decay

Cathedra - Adapted from Mercury7, Cathedra is a massive and ethereal algorithm with a slow build. Cathedra is perfect for sci-fi

textures and recreating C-beams glittering in the dark near the Tannhauser gate.

Parameters: Decay, Lo Freq, Hi Freq, Mod Speed, Mod Depth, Pitch, Pitch Mix, Diffusion, Predelay Blend, Gate Attack, Gate Hold,

Gate Decay

Spring - A flexible algorithm that can be voiced to replicate both the amp based reverb sounds and the classic studio spring tanks

featured on early recordings.

Parameters: Dwell, Lo Freq, Hi Freq, Predelay Blend, Gate Attack, Gate Hold, Gate Decay

- REVERB STRUCTURES

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