Arturia Synthx V handleiding
Handleiding
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1.1.1. Why the Synthex was different
The Synthex used DCOs (digitally controlled oscillators) instead of VCOs (voltage controlled
oscillators). Mario Maggi had found a way to make them sound as musical as VCOs but
without the oscillators drifting out of tune in response to temperature or humidity changes
— which was a real problem for musicians touring with 1980s-era analog synths.
The Synthex also featured a 4-track programmable sequencer that recorded in step or
real-time modes. Since the Synthex was bi-timbral (2-part multitimbral) and could split or
layer its keyboard, a player could sequence four musical passages divided between two
sounds, up to the 8-voice limit. Any other polyphonic synth of the era would have needed an
external sequencer (such as the Oberheim DSX or Roland MicroComposer) for this amount
of compositional power.
The two bi-timbral parts routed to separate audio outputs, enabling creative stereo options
for recording and live performance. Early units lacked MIDI but after MIDI debuted in 1983,
a retrofit became available. Instead of pitch and modulation wheels, a joystick bent the pitch
along its Y-axis and sent modulation to the VCA or filter in either direction of the X-axis.
Photo by Michaela Rae Childs
Photo by Michaela Rae Childs
Arturia - User Manual Synthx V - WELCOME TO SYNTHX V! 6
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Productinformatie
| Merk | Arturia |
| Model | Synthx V |
| Categorie | Niet gecategoriseerd |
| Taal | Nederlands |
| Grootte | 18225 MB |
